Friday Reads: Very Long

Friday Read: Dombey and Son by Charles Dickens

I’ve long been a fan of Charles Dickens, but starting a new Dickens novel is always intimidating to me, as I know it will be about a six week commitment. That’s why Dombey and Son has been sitting on my shelf since I bought it for $6 at a Borders that was going out of business in 2011. I just started it earlier this week, picking it off of my shelf because I had an urge to read a long novel with lots of characters that wasn’t a recent iteration of the “VLN.” (Also, I figured I should read it before I reread Bleak House, which is something I want to do soon.) I’m only about an eighth of the way through and hoping it doesn’t go too deep into the shipping industry or nautical instruments because then I might have to put it down. As usual, I’m delighted by Dickens’ character names and descriptions, which is making reading Dombey and Son more than worth it so far. (Favorite character names: Miss Lucretia Tox and Polly Toodle; Favorite description: “But the Major, with his complexion like a Stilton cheese, and his eyes like a prawn’s…”)


Other stuff?

Well, I linked to this above, but here’s something on “The Year of the Very Long Novel.” (Vulture)

I read “An Interview With @SoSadToday” last week and this week found out her identity. (The Awl; Rolling Stone)

This profile on Judy Blume made me nostalgic for my days as an adolescent bookworm and made me feel like I should just write the damn book I’ve been thinking about for so long. (NYT)

Jami Attenberg’s essay on viral fame reminded me that internet fame does not sell books. (BuzzFeed)

Pete Wells made me smile during a brutally boring day with his review of Javelina. (NYT)

This piece on the making of Bob Seger’s “Night Moves” brought back memories of many a summer road trip with my dad, who is very fond of that song. (WSJ)

I will read anything about New York City’s affordable and public housing situations. “The Plan to Save Public Housing” is new and good. (The Awl)

I usually save music for Mondays, but “I Know There’s Gonna Be (Good Times)” was officially released this week and I can’t stop listening to it.

On a related note, I read two pieces on Jamie xx and his new album, In Color, this week:

“Taking Shelter in Loud Places” (Pitchfork)

“One Last Rave” (TNY)

And if you read “One Last Rave,” here’s Mark Leckey’s “Fiorucci Made Me Hardcore” (which I had never seen before, so!):

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